Sample Sunday

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In this scene from — Yes, EEL’S REVERENCE — Aunt Libby, octogenarian priest of Micah, meets Blennie, mermayd member of the mercenary band called the Fortunatos.

My capture exhilarated me. No wonder I’d been so angry with Clare and her plan; she’d brought me back to a place where a true priest belonged—into the thick of a wrong situation—and then had stored me safely away from it. Now I’d been dragged out where I should be, smack in the middle of something nasty. The blood sang in my veins.

We trotted, single file, along a wolf track. We made quite a bit of noise; it wasn’t until I caught a flash of sunlight reflected off a moving eye that I realized we were being monitored. Naturally, I should have known we would be. Did the Fortunatos see the wolf? Did they expect it? Did they care? On the chance I was being rescued from Uncle Phineas, I should have pointed out the animal. On the chance my abductors would kill it, I kept quiet.

We reached some sort of boundary; suddenly, the undergrowth became low ground cover. The wolf didn’t accompany us into the cleared woods, confirming my suspicion that it and the Fortunatos were not in league.

“Let me see this true priest,” the tenor voice said. A horse moved up on our left. “It must be eight years or more since I’ve seen a true priest; they’ve been through, I suppose, but I haven’t paid any attention to them.”

“Paid a lot of attention to them before, Blennie?” someone asked.

The horse pulled along next to us now, and I could see the rider: a mermayd, with skin as pearly as Loach’s, a dark blue tail, and “salt-and-pepper” hair done up in the Fortunato topknot. His skin showed no sign of age, of course, no more than a landsman’s
would, if he spent his life covered in either water or salve. Only his hands showed age: ridged and veined with blue, red, and silvery gray. He must’ve been at least fifty—old for a mercenary.

His saddle and tack looked old, too, gleaming with the soft patina of much use and good care. His gillband was covered with sharkskin and metal mesh.

I looked around and counted four other Fortunatos, none of them mermayds.

“Yes, I’m the only one,” Blennie said. “Why the surprise? You’ve seen mermayds before.”

“Not on horseback. I’ve never seen a mermayd on horseback anywhere in the world but here. Is it normal in the Eel, like the Coalition, or this game of pass-the-priest all you Eelites seem to be playing, with me for a marker?”

“Blennie’s one of a kind, Auntie,” said the woman on whose horse I rode. “Don’t worry about that.”

There was some rough-humored laughter, Blennie joining in with a touch of bitterness.

“I heard you were brought into Port Novo by a mermayd,” Blennie said. “And followed out by the same one, somewhat the worse for wear. Some of your best friends…”

“Are somewhat the worse for wear, yes.”

For more posts about EEL’S REVERENCE, including more excerpts, click here. There’s more about the book on the Novels page and the EEL’S REVERENCE page. EEL’S REVERENCE is available for the low, low price of $2.99  in eBook formats only, from Amazon, B&N, OmniLit and who knows where else. I also have a free short story set in the same world, available in a variety of eBook formats at Smashwords, or in PDF here.

WRITING PROMPT: Do you remember your first meeting with someone who turned out to be very important to you? Write such a meeting for one of your characters, or invent two characters and give them a first meeting that implies a future relationship, positive or negative.

MA

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Sample Sunday (or #SampleSunday in Twitterspeak) is … well … putting samples of your work on your blog every Sunday. Participants can post whole short stories or excerpts of stories or novels or works in progress. It’s a good way for readers to try you out. The idea is that if you like my work, you might like it enough to buy some.

Or not.

To sample my stuff, you can look in the sidebar and select the category Sample Sunday. You can also look at the top of my blog at the navigation bar and click on Hot Flashes, Novels or Stories.

I hope you find my samples spectacular! (Or, at least, satisfactory.)

Oh, and, because I can’t resist, I hereby present you with a link to Ruth Brown explaining simple economics to a customer wanting a free chair.

WRITING PROMPT: What would your main character give as a free sample?

MA

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Sunlight Like Honey” is one of the stories in my collection THE KING OF CHEROKEE CREEK. The stories are mostly literary (which does NOT mean “nothing happens in them”, by the way), with a maybe-fantasy to begin and a definite fantasy to end. “Sunlight Like Honey” is the story I wrote after my grandfather died. Cosmo fans will be glad to know that Cosmo appears in this story.

Excerpt from Sunlight Like Honey:

The bivouac tent went up just as advertised. So far, so good. Bethany unfolded the sleeping bag and wrestled it into the tent. It barely fit–it was like stuffing a sock, toe-first, into the short end of an envelope.

She was sweating and swearing by the time she finished. In a minute, she would circle the cabin and rinse off in the creek. Now, she slumped next to the tent, knees up, arms draped over them, gazing at the empty cabin, wiping salty rivulets from her face with the backs of her hands. By evening, this spot would be in the shade and the porch would be bathed in yellow light. She and Impaw had spent many a summer evening on that porch, watching fireflies rise out of the shadows.

Birdsong and bee-buzz surrounded her, and the luxurious whisper of wind in the trees. A long way away, a duck raised hell with a bunch of other ducks.

This time last month, she and Impaw had been here gathering morels and wild onions. They had cooked a mushroom feast on the wood stove and had made dandelion salad with oil and vinegar and salt and pepper, had toasted each other with sassafrass tea sweetened with wild honey. This is livin’, Impaw had said. Just last month.

A flash of brightness caught her eye. She looked up and blinked. Cosmo squatted on the edge of the rise behind and above the cabin, staring at her, his shaved head shining in the sun, the metal in his face piercings glinting like cartoon sparkles. The long, gray, lightweight coat that he called a duster hung open, pooling around his scruffy brown boots.

What’s he doing here? He was an intruder, just a coffee house acquaintance, not even a classmate or a certified friend. He was uninvited, unexpected, unnecessary, but she raised a hand and waved for him to come down.

He disappeared into the woods. Not long after, heralded by snapping twigs and a growled, “That was my eye, Mr. Tree,” he joined her in the clearing.. He was in long sleeves and jeans under the duster, so the only tattoo that showed was the blue and red snake around his neck. Silver studs lined the rims of his ears and ornamented his nose, eyebrows and lower lip.” Hey, B.”

“Hey, Cosmo. You stalking me, man?”

“Needed a laugh. When you said you were coming out here to camp, I had to check it out.”

“How’d I do?”

“Looked like all three Stooges at once. It was great.” His grin said he knew she wasn’t in the mood for jokes, but that she’d been damn funny, anyway.

Excerpts from all the stories are linked from here.

Buy it for the Kindle at Amazon.
Buy it for the Nook at Barnes and Noble.
Buy it in other electronic formats at Smashwords.

WRITING PROMPT: How would you have a character who has never camped before prepare for camping?

MA

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This is an excerpt from the short story “Consider the Artichoke”, part of THE KING OF CHEROKEE CREEK.

from CONSIDER THE ARTICHOKE

The evening after TJ Goodnight left home, she was five minutes late for work. Now, she had to rush to scrub the dishwasher spots off the flatware and wrap sets in The Golden Lotus’ red paper napkins and bind them with yellow paper bands.

Bud Blossom, owner of the houseboat restaurant, appeared next to the hostess stand, in that unsettling silent way of his, pretending to be astonished to see her. He spoke with a standard Midwestern twang that had seemed odd at first, coming out of such an exotic face: brazen skin, slanted black eyes. By now she expected the voice—and the attitude.

“Oh, TJ—Are you on this shift? I thought it must be Hester’s night. She’s the only one who comes in late. Know why I let her get by with it? Because she’s old, and I feel sorry for her.”

“You let her get by with it because you don’t pay her. She works for tips.” Oh-oh…. I walked right into that one!

“So, you’re saying you want the same deal?”

“No.”

“You having personal problems?”

TJ dropped the silver she had just gathered. This was the first non-business question he had asked since her interview with him, three months ago, when he had said, “What is it with the name Tara? Do I just attract them, or are all females named Tara these days?” Then he had said, “We already have a Tara on staff. She’s got seniority, so you’re TJ. Any objections?” And now this unexpected concern.

She shrugged. “Nothing I can’t handle.”

“Good. This is work. If it’s personal, keep it personal.”

That’s more like it.

* * *

“I spent the night at Julie’s, and it took five minutes longer to get here than I thought it would,” she told her middle-aged co-worker, Tara Mitchell. She might explain later—Dad and I had another argument, and he told me to move out. Last week, eighteenth birthday party; this week, hit the road. It’s okay, though. It’ll be okay.—but she didn’t have time to get into all that now. Bud discouraged chit-chat. “Bud’s letting me clean the plastic flowers to make up for the lost time.”

The older woman pursed her lips then said, “An hour’s work to pay back five minutes. Trust Bud.”

“I don’t mind.” But would Julie’s mom? It didn’t seem like a biggie, but you never knew what parents were going to think was too much.

The next time she checked the hostess station, Bud was waiting with a scowl.

“No personal calls,” he said.

“I didn’t—”

“Some kid named Julie just called for you. Said she’s sorry, but her grandparents dropped in from some damn state or other. Said you’ll have to stay someplace else. Work it out on break or after your shift. No personal calls.” He stalked off.

Now what do I do?

Tara joined her at the station a few minutes later, looking back over her shoulder every couple of steps.

“That man gets weirder every day.”

No need to ask who she meant.

“What now?”

“He said I should ask you if they put mints on your pillow at the Honda Hilton.”

“He—” That was outrageous, even for Bud.

“TJ, what’s up?”

“I’m temporarily residence-impaired.” She explained. “I have other friends lined up to stay with for a week or two, just not tonight.”

“I got an idea: Why don’t you crash on my couch? I would worry about you in the Honda Hilton. I heard they don’t clean the bathrooms there.  …I know we don’t know each other much. I know I’m just the old lady you work with sometimes. I don’t blame you—”

“No talk!” Bud materialized at TJ’s elbow, making her jump. “Not pay you to talk!” He shook a finger. “What she say? She ask you, sleep her house? Say no.”

“Bud….” TJ waved a hand around her mouth. “What’s with the thing?”

Tara shook her head with a sigh. “He caught me reading JOY LUCK CLUB at lunch.”

“Lunch over, you still reading.”

“He caught me reading JOY LUCK CLUB about two seconds after lunch. He’s been talking like that, whenever he thinks about it, ever since.”

He shook a finger at TJ again. “You no go her house. She have son, not good for you. Not nice boy, tattoos all over everywhere.”

Utterly overcome by this, TJ gave up trying not to laugh.

“What so funny? You sleep in car, sleep on couch with tattoo boy in next room, you not think so funny.”

“Will you stop it?” she gasped. “Tara—Thank you. I would be very grateful to sleep on your couch, tattoo boy or no tattoo boy.”

Tara’s face lit with a shy smile.

“Whatever,” Bud said, and spun away to greet a party of regulars.

~   ~   ~   ~   ~

For short excerpts from all the stories, click here.

To buy THE KING OF CHEROKEE CREEK for Kindle, click here.

To buy THE KING OF CHEROKEE CREEK for Barnes and Noble’s Nook, click here.

To buy THE KING OF CHEROKEE CREEK in various electronic formats from Smashwords, click here.

WRITING PROMPT: Write a family argument that results in a life-changing alteration in situation or relationships.

MA
p.s. Oh, and just in case the “If you liked this, try that” doesn’t turn them up, here are the two interviews I did with Bud.
Interview with Bud Blossom Part One
Interview with Bud Blossom Part Two

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The Southern Indiana Writers Group had a great time at That Book Place yesterday. We had a buncha our anthologies, Ginny Fleming brought KEYS OF ILLUSION, her paranormal romance, T. Lee Harris brought CAT TALES, an anthology with one of her stories in it, Joanna Foreman brought GHOSTS OF INTERSTATE-65, her collection of ghost stories, and I brought SWORD & SORCERESS XXIII, an anthology with one of my stories in it. T also brought WINTER WONDERLAND, her mystery novella, and I brought — yes, of course, EEL’S REVERENCE.

Here is a sample from my story “Undivided” in SSXXIII. Another sample is here.

Pimchan jumped from the wall, landing lightly, and followed. She bore no weapons except her dagger, but a Warrior was a weapon, capable of turning anything to destructive or defensive use against clubs, blades–even, with luck, spears and the new foreign firearms.

The phantoms became more difficult to see as they passed through real carts and real people. Pimchan raised a hand, palm out, at belly level and muttered a string of syllables she had been taught by a very old man in a cold desert cave. The shapes she followed took on a yellow nimbus. She growled–dark blue would have been better in this bright sunlight, but the Glow colored itself arbitrarily. One of the drawbacks of accepting someone else’s spell in payment instead of cash.

The second-hand spell fizzled and died in the sunlight and high traffic of the marketplace. Just before the glowing cart entered the turbulence of buyers and sellers, the driver looked back and Pimchan caught the gleam of spectral teeth, as if the shade expected her to try to follow and expected her to fail.

Her quarry gone, she became more than peripherally aware of her surroundings.

Lek, the chestnut seller, with his bags and brazier and bamboo fan, hunkered down at the corner. In a moment, she stood beside him.

Lek raised a heavily wrinkled face and squinted at her as she described the invaders and the generalities of their vehicle. Lek had once served in a Warrior’s household, and had no more fear of a Warrior than he did of any of the many other people more powerful than he was.

“I saw a woman in clothes like that with a scratch on her chin driving an old wagon down this street and into the market.” He pointed with his fan. “This wagon was painted black, but the paint was peeling. Is that the one you mean?”

“It could be. Tell me more.”

“Well….” He scratched his thin beard with his fan. “The grain sacks were white with red catfish on them. The oilcloth was brown, but not the same brown as her clothes. Her clothes were like…. Like your skin, if you forgive the familiarity.”

Pimchan glanced at her bare arms: the red-brown of roasted fowl. A difficult color to reproduce in dyed goods. That and the red leather boots pointed to a wealthy household. The disrepair of the wagon and age of the boots pointed to bad times.

Lek went on. “The oilcloth was the color of this dust. Pale.”

“Have you seen her before? Or the wagon or the clothing? Or the symbol on the grain sacks?”

Lek shook his head. “But there are a lot of farms and estates and enclaves tucked back in the passes and down in the foothills. They don’t always send the same people to town, or the same carrier.”

Pimchan bowed her thanks.

“Did they take anything?” Lek’s voice sounded concerned, but Pimchan knew he was eager for details. Even the priests’ quarters were more open than Warriors’ compounds, and any crumb of information would be worth a free drink or even a bowl of rice.

“A purple orchid blossom. They tried to take a white one, as well, but they were stung and gave it up.”

“A precious blossom?”

Pimchan shook her head. “One of many. They just wanted a trophy, I think, to prove they won a dare. I hope it was worth it to them.”

Even if this had been the harmless prank she had invented, the taboo against entering a Warrior’s domain without permission could not be broken without punishment. The outrage that had actually been committed demanded worse than death, and only a Warrior’s domestic impenetrability would keep the revenge from being as public as possible. Instead, it would be an open secret, communicated by whispers and facial expressions and nodded understandings, unspoken horrors that would enforce the taboo on impressionable young minds so it would be less likely to happen again.

This was not a prank. It was not even a crime. It was a gambit–a move in a game that had yet to be announced.

WRITING PROMPT: If you could buy a spell that would work once, what would it be?

MA

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This story won First Place in the 2003 Green River Writers Green River Lean contest for flash fiction

A Journey of a Thousand Miles
by
Marian Allen

“Turn back the clock, Evan. Can’t you turn back the clock?”

If absolute power corrupts, and time heals all wounds, what would absolute power over time do? Corrupt time? Heal absolutely?

My windshield wipers tick like pendulums. Frank Sinatra informs me enthusiastically that he did it his way. I wonder what “it” was. I wonder if I should do “it” his way, too, and what, exactly, his way was. Maybe I should buy the CD. Maybe the answers are in the liner notes.

#

“Turn back the clock, Evan.”

My mother’s voice over the phone. In a way, I wasn’t surprised she’d found me; she could be very efficient when you didn’t want her to be. Depressing, that I recognized her voice immediately, after all these years. It was ten thousand whiskies and a quarter-million Marlboros huskier, but I knew it from the first rasping intake of breath.

“Moze died last year–,” Moze, the pathetic step-father who did nothing to stop her destroying their health and my sanity, “–with lungs. Me, it’s throat.”

Cancer, she meant.

#

She looks like ET in the hospital bed: skin gray, arms emaciated, eyes huge, head bulging — in her case, from a helmet of tight gray ringlets. A wig, I suddenly realize.

I hold out flowers. I had been tempted to get four roses, but decided on tinted asters and eucalyptus, garish and heavily-scented.

Can’t you turn back the clock?

I step into the room.

Oh, God. Oh, Mommy. If I only could.


WRITING PROMPT: If your main character could turn back the clock, how far would he/she turn it back and to change what?

MA

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In my bio, I always mention that I’ve had a story published on the label of coffee cans. There was once a company called Story House Coffee that sold coffee over the web. They bought short stories, poetry and essays and printed them on their labels. I don’t know what’s become of them; their URL leads to an announcement that they have a new server coming soon, but that’s been up for a long time, now, and my heart misgives me.

My story was on cans of Columbia Mesa de los Santos Organic dated May 20, 2003, and here it is.

BURNING AMBITION
by Marian Allen

“Man is born unto trouble, as the sparks fly upward.” I can hear my grandma’s voice saying that. How many times did she say that to me, I wonder? A thousand? A million?

I was always in trouble over something or other. I guess that’s why she said that so much.

Now I got a good job. Self-employed, tax-free. I always get paid, and my clients always get paid. Bound to be an investigation, but none of my jobs ever get held up or reopened. I’m that good.

Grandma would have been proud.

I think of her as I sit in my convertible, on a hill overlooking the city, and watch the flaming warehouse light up the night sky. I can almost smell her lily-of-the-valley perfume beside me.

“Man is born unto trouble, as the sparks fly upward,” I can hear her say.

_____

WRITING PROMPT: Grab a much-used quote and bend it out of shape.

MA

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A couple of weeks ago, I wrote about the cut-and-don’t-paste technique of improving one’s writing. As a case in point, I referred to “Home on the Range”, a story I wrote for the Southern Indiana Writers Group’s anthology IT’S ALWAYS SOMETHING. It gots a cow in it. When we went to Nashville, Indiana some years after the anthology came out, Joanna Foreman pointed this post card out to me with a picture (produced by American Geographics, photo by Darryl Jones, Marion County) that would have been a perfect illustration, if we could have acquired the right to use it.

Here is the beginning of that story as it stands. If I had it to do over, I would cut almost all of this and just leave enough to set things up–just a couple of lines. I might even cut all of it, and just drop a word or a line into the good stuff later. Okay, here it is:

No, here it isn’t. I can’t do it. It’s THREE FREAKIN’ SINGLE-SPACED PAGES of don’t-need-it. Oh, okay, here’s the first part of it:

My life was so simple, before I got my heart’s desire.

I had always wanted to live in the country. Nobody I knew lived there, but my elementary school readers were full of pictures of Dick and Jane and Sally and Spot and Puff wandering around unsupervised under a round yellow sun. According to them, carrots and spinach were good in the country. Since I had to eat the damned stuff anyway, it seemed natural to dream about living where veggies actually tasted like something edible.

Granny Babs, who watched me while Mom and Dad worked, had been through the Depression and World War II rationing. With me to help her, she had most of her big back yard put out in vegetables. Her property butted up to the Forestry, where she took me hunting for wild mushrooms, blackberries, fiddlehead ferns, watercress, and all that wilderness fodder.

The kids at school called me “Wilder”, after Laura Ingalls Wilder of “Little House on the Prairie”. It was certainly better than my given name–which was Mamie Jane Nael–and it even sounded cool, during my rebellious teens.

In my junior and senior years of high school, I worked at Cloverburg’s Health Blossom Food Cooperative. I worked there during the summers while I was in college getting my Health and Nutrition degree … and for seven years after that, when a Health and Nutrition degree didn’t translate into any other job.

By that time, I had turned into a vegetarian. Not just a vegetarian, but a vegan, which is not an alien race from outer space, but a person who eats only plants–no meat, no eggs, no dairy. Granny Babs and Mom had taught me to cook, and the urge to convert the family to my diet drove me to construct vegan meals they couldn’t resist.

That led to my first cookbook, VEGAN FOR MEAT-LOVERS, written under the name of M. J. Wilder. It had very respectable sales–for a vegan cookbook. The second, M. J. Wilder’s VEGAN AND LOVING IT, did even better. The third, M. J. Wilder’s MEATLESS LOAF AGAIN?, was the best yet. I didn’t make enough to retire on, but my needs were simple and I was single–I had a nice little umbrella for a rainy day.

Then Mom and Dad retired to Florida, Granny Babs passed away, her house burned to the ground, and an insurance check came addressed to me, her beneficiary. The day after I deposited the check, a customer came into Health Blossom–where I was still clerking–saying she and her husband were moving to California, and they needed to sell their place in the country–five acres on the other side of the Forestry from Granny Babs’ old house. It would take me fifteen minutes to drive to work from there, less time than it took through traffic from my apartment.

Dream come true.

The house had been modernized, but didn’t look it. There was a summer kitchen at the other end of a covered boardwalk, in good repair but in no way modernized, with a big old wood-burning cast-iron range for canning. Attached to the summer kitchen was a creekstone spring house, also in good repair. There was a barn, which the folks I bought the place from used as a garage, and there was a hen-house, which they had scrubbed and whitewashed and used to dry herbs. There was a rummaged-up area about half the size of a basketball court, surrounded by rabbit wire, that they called a garden, but was more like a place they tossed seeds and hoped for the best.

“We bought this place and fixed it up,” my customer said, “and spent a month or so out here in the summers. We thought we might move to the country full-time, but we both work in the city and the commute would have been brutal in the winter, so the place has really hardly been used since we restored it. There’s just one thing. There’s a wild cow in the woods.”

Her husband groaned. “You had to tell her that.” He gave a little laugh. “It’s some story everybody around there tells. About three years ago, one of the farmers lost a cow through a gap in his fence. He never found it. It was taken by a carnivore, if you ask me–a two-legged carnivore. But ever since then, there’ve been all these ‘wild cow’ sightings in the Forestry. Of course, nobody’s seen it except for people who know the story, but that doesn’t stop the legend, does it?”

If I had it to do over, I might start out with “We bought this place and fixed it up,” but not go through the convolution of making the people customers at the store. Or I might just begin where the excerpt I posted at the Southern Indiana Writers web site begins.

What do you think? How much don’t-need-it are you willing to wade through to get to the actual story?

WRITING PROMPT: Where is the heart of a story you love? Going backwards, where does the writer first engage you in that point?

MA

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This is the first story I sold. It was to an awsome on-line magazine, no longer with us, alas, with the wonderful name of Bovine Free Wyoming. Here is how awesome it was: this is the picture on their masthead. Is that swell, or what?

This story was another writing exercise at a Green River Writers retreat, so you see why I like to go to those.

Anyway, here it is:

Caffeine High
by Marian Allen

My mother hasn’t been out of the house for two months. She hasn’t left the kitchen for a week. She takes sponge-baths at the sink. She wears a barbecue apron while she washes her clothes in the dishwasher and dries them in the warming oven.

Through the window, I watch her scrub counters, sweep, and mop the floor, amazed she can find so much to occupy herself in such a small territory. Nights, I sit outside the shed; the lit window glows like a television screen — reality show with the sound turned down.

Every day or so, she slips a grocery list out the window, and I go for supplies. She makes me frappacinos; I drink them until the top of my head unhinges and my brain flies above the roof, down the chimney, and sits at the kitchen table across from my mother, and we talk again.

~   ~   ~   ~   ~   ~

WRITING PROMPT: Write a character who can leave his/her body and interact with people in his/her astral form. What would he/she do?

MA

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Not the whole story, but a sample of it. Another sample is on the THE KING OF CHEROKEE CREEK page, because the story is included in that collection. “The Dragon of North 24th Street” appeared in the final issue of Marion Zimmer Bradley’s FANTASY Magazine.

The story begins:

The Dragon of North 24th Street

by Marian Allen

In the year four-hundred-and-something, St. Patrick lured the serpents of Ireland into the sea with the playing of his harp. He may have sung a bit, too, I couldn’t say.

And where did they go? Where else but America, like so many Irish after them. It wasn’t America then, of course, but the land was there, if the name was not.

So they went to America, where they had room to spread themselves. They mingled with whatever native snakes they couldn’t eat, the world turned on its axis and life went on.

Now, among the serpents was one who was so old he still had his four legs which, as you know, serpents lost after that business in the Garden of Eden.

This serpent was as long as the night before your wedding, as black as the inside of a cow’s second stomach, and as evil as your sweetheart paints your friends. In fact, if this serpent wasn’t a dragon, he would do until a dragon came along; and he was, in very fact, Beltran: the devil’s own wicked uncle, the one the devil’s mother never let the family mention when they came to tea.

Now, for sixteen hundred years (give or take a hundred), Beltran lay about, creating a general nuisance. He made his home beside the Ohio River, near the top of Kentucky, and, if he didn’t start more fights between the settlers and the Indians than they started between themselves, I’d like to know who did.

But, in spite of him, the land was settled, and the city of Louisville grew up. Beltran retreated underground during a particularly rambunctious period in the city’s history, when he felt his deviltry would only be superfluous, and took a nap of a century or so.

At last he woke. This was about 1934, I’d say it was. 1934 or ’35. No, I tell a lie, it was 1933, and I’ll tell you how I know: In 1910, a girl was born to Patrick and Mary Kelley, and they named her Pearl, and that girl grew up and married John Anthony Sullivan, and that very Pearl Sullivan was exactly 23 years of age at the time I’m speaking of.

So, in 1933, Pearl and Johnny Sullivan lived in a sort of a tenement on North 24th Street in the West End–that is to say, the “poor” section–of Louisville. Mind you, this was the heart of the Great Depression, and nobody had money, but it was still fashionable for folks in other parts of town to look down on the West-Enders.

Not that anybody who tried it would recommend putting on airs with Pearl–or any of the Sullivans, for that matter. “We’re no better than anybody else,” (so said the Sullivans), “but we’re damned if we aren’t every bit as good.”

WRITING PROMPT: Put a dragon into a setting that is unusual or unexpected.

MA

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